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Skewjack circa 1971
Graham Shephard |
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The Frequency of Modern Life
Mark Titchner |
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Art, objects and ‘superabundance’
Delpha Hudson
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Bob Law: a reappraisal
Richard Saltoun and Karsten
Schubert |
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Artists in Newlyn
and West Cornwall: 1880 - 1940
Peter Waverly |
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Satyrs and sigils: the artist-occultist
Austin Osman Spare
Paul Newman |
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Notes from London Art Week 2009
Joseph Clark |
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Jim Ede and Kettle's Yard Sebastiano Barassi |
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Barrie Cook
Alex Wade
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Awake! Albion Awake!
Peter Woodcock |
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Glasgow, Julian Schnabel and 25 years of
Transmission Gallery
Rupert White
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The Unknown Guest
Paul Newman |
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The Landscape
George Bataille (translated for the
first time into English by Patrick ffrench) |
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This Weekend?
A personal response to two events
Joanna Thomas
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Occult Surrealist: Ithell Colquhoun and automatism
Richard Shillitoe
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Alex Murdin
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A note on reverie
Michael Bird |
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The
Future Ain’t What It Used To Be…
Stephanie Wessell
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Supernature: a response
Patrick Brandon |
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Sir Joshua Reynolds: The Acquisition of Genius
Sam Smiles |
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Too
Many Objects, Not Enough Radical Nature
Chris Fremantle |
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The
art of collaborating: from Michelangelo to Warhol and beyond
Rupert White |
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Anthony Gormley's Fields
Emma Duester |
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Voyage
Joseph Clark |
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Matthew Lanyon: New Paintings
Alex Wade
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The Launching of the
Pier Arts Centre
Margaret Gardiner
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Banksy versus Bristol Museum
Nigel Ayers |
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Venice
Biennale 2009 Part 1: The Giardini
Rupert White |
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Venice
Biennale 2009 Part 2: The Arsenale
Rupert White |
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Venice Biennale 2009 Part
3: Martin Boyce, Susan MacWilliam and Kennedy Browne
Rupert White |
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Travelling Light
Peter Freeman |
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Oasis
Cathy Watkins |
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Rare Sighting in the Haldon Hills
J. C. C. Mays on Colin Sackett
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No more heroes: a response to 'Lets Play Records'
Rupert White |
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Lawrence Weiner: biography and resources
Various authors |
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Distributed art of invisible networks: notes on network politics
Magda Tyzlik-Carver
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Haste Slowly
Peta-Jane Field on
Trevor Bell
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Altermodernism: helpful or harmful?
Rupert White
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Silent
Harmonies: The Art of Jeremy Annear
Jane Hamilton
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Situation
Roger Coleman
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'The New Landscape': from a point of view on the work to a being in it?
Harriet Hawkins
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Remembering Gwyther Irwin
Nick Wadley
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Westcountry Carnivals and Folk Traditions
Various authors |
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The Lure of the Local
Lucy Lippard |
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Westcott's Gallery, St Ives
Rupert White |
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Luke Frost and the Tate St Ives residency
Alex Wade
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Prima Vista – Black, Red And White 12 July 2005
Clare Wardman |
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Opening the window, the white bird flies in
Kate Walters |
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Contextually sited contemporary practice in rural
areas
Veronica Vickery |
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On Arnolfini, artists' books and buy nothing day
Nigel Ayers
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Revolver Book-launch
Volker Stox, Jesse Leroy Smith, Alan
Livingston |
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An artist’s response to Elisabeth Frink
Fiona Robinson
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Putting 'Revolver' in its place: a new eclecticism
Rupert White |
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A boundless manifesto comes to Tate St
Ives
Peta-Jane Field
on Heimo Zobernig
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New art-spaces
in Bristol
Laura Mansfield
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The Captains Cottage Triptych: Dwelling and Loss
Rebecca Weeks
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Dominant Wave Theory:
The Work
Chris Short on Andy Hughes'
photographs
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Dark Ecologies: Reflections on Paul Chaney at
Goldfish
Robin Mackay
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MA Fine Art:
Contemporary Practice 2008
Nigel Ayers
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David Falconer & twelve years of the New Millennium
Gallery
Peta-Jane Field
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Nature Morte
Robin Mackay
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Ralph Freeman:
Porthmeor Jazz
Alex Wade |
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Contemporary Drawing Practice and The Drawing Show
Kate MacFarlane |
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The Pack 1969 - 2008
Rupert White |
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Creative Cornwall
Nicolas Serota
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The Transformed Total: Margaret Mellis’s
Constructions
Michael Bird |
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Alfred Wallis and after: naive and outsider art in
Cornwall
Rupert White |
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Dawn of a Colony
David Tovey
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Paul Newman
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Richard Ballinger at Cornwall Contemporary
Jesse Leroy Smith |
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Two writers' responses to LAF 2008 pt2
Alexandra Glanville & Mark
Greenwood |
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Lightness of Being: Felicity Mara’s Lyrical
Abstraction Helen
Dunmore
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Two writers' responses to LAF 2008 pt1
Mo Bottomley & Megan Wakefield |
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The Museum of Witchcraft: a short history
Graham King
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The Genuine Article
Alex Wade on Tim Shaw |
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Peta-Jane Field |
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The St Ives School of Painting: a brief history
and personal view
Roy Ray
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Bullans Court: the
home and studio of Sandra Blow in St Ives
Jonathan Grimble |
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Relational
aesthetics in Cornwall: a reflection on
'Transition: Curators edition'
Rupert White |
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The new Leach Pottery pt 1 and 2
Simon Leach and Rupert White
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Abolition of Work
Cornford and Cross
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Tales of the Unexpected
Megan Wakefield
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Cornwall: New Voices
Kate Jago
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'Transition' Archive
Blair Todd and Steven Tanner
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