home              exhibitions interviews | profiles | webprojects | gazetteer archive

               features

 

Footsbarn Flyer (1973)

Jonathan Paul Cook

  The Bruce Lacey Experience

Jeremy Deller

 

Under the influence: artist portraits

James Hankey

Waving or drowning: Hilton's Oi Yoi Yoi revisited

Steven Cousins

Bruce Taylor:  A Lost Page

Gerard Mermoz

 

  Reflections on Bolster Day

Rupert White

  Memoirs

Paul Francis

Fascinate Showcase

Dominick Allen

The Art of Cornwall

BBC4

 

Open Provocation Festival

Nigel Ayers

Quercus Robur

Geoff Uglow

Brenda Wootton: Cornish Legend

Gloria Knight

The Fish Factory, Falmouth

Sophie Sweatman

  Sacrilege at The Heartlands

David Whealer

 

Daryl Waller at Pixelate

Ben Philpot

The Ordinalia, 1969

Sidney Higgins

  Perfect in the mind: a response to the sculptures of George Meyrick

Fiona Robinson

The show must go on

Gabrielle Hoad

 

The British Art Show: In the days of the comet

Nigel Ayers

  Ray Exworth: A sculptor of probable genius

David Heseltine

How the Rural could save Modern Art

Matthew Fluharty

  The Reaction Story

John Snell

Roger Taylor unveils Tim Shaw's 'The Drummer'

Rupert White

  Ithell Colquhoun: from Lamorna to Lanhydrock

Helen Hoyle

 

Roger Hilton's 100th Birthday

Michael Bird and George Care

  Electric Eden: music and the British landscape

Rupert White

  Beyond the closed shop

Gabrielle Hoad

  The Art of Cornwall

Helen Hoyle

The Face of Penwith

Peter Lanyon

  Partou Zia: Painter of Dreams

Helen Hoyle

 

  The Thin Hiss of Flowers Screaming

Paul Newman

  Kerry Marshall Trengove: a memoir

Rose Garrard

  The chicken soup was cold

Sarah Watkins

The Wints

Richard Prest

 

Radical Ruralism: a retort

Steve Messam

Naomi Frears

Alex Wade

'The Falmouth Convention' video highlights

Various speakers

 

  Cornwall Folk

Grahame Hood

  The films of Alejandro Jodorowsky

Nigel Ayers

  Assisi, Birds, Mountains, Flowers

Kate Walters

 

 

 

 

Reclaiming the rural 1: Landscapes and modernity

Kristopher Kohler

  Reclaiming the rural 2: Rural microcultures

Kristopher Kohler

  From Hepworth's Garden Out

Nathan Thompson, Norman Jope, Stephen Middleton, Peter Gillies, David Grubb and Brian Louise Pearce

  Get in the Ring: Political Aesthetics

Rebecca Weeks

  The Last Bohemians: Robert Colquhoun and Robert Macbryde

Roger Bristow

Settlements

David Spero

 

 

 

 

A little local difficulty: Gavin Turk and pasty politics

Rupert White

  Horizon Wales: Visual Art and the Postcolonial
 
Iwan Bala

 
 

Radical Ruralism: place, landscape, and rurality in contemporary art

Rupert White

 

 

George Dannatt

Brandon Taylor

 

 

 

 

Art in Wales: Politics of Engagement or Engagement with Politics?

Iwan Bala

Austin Osman Spare: English Satyr, Magus-Artist and Astral Visionary

Adam Daly

 

Skewjack circa 1971

Graham Shephard

The Frequency of Modern Life

Mark Titchner

Art, objects and ‘superabundance’

Delpha Hudson

 

Bob Law: a reappraisal

Richard Saltoun and Karsten Schubert

Artists in Newlyn and West Cornwall: 1880 - 1940

Peter Waverly

Satyrs and sigils: the artist-occultist Austin Osman Spare

Paul Newman

Notes from London Art Week 2009

Joseph Clark

 

 

 

 

Jim Ede and Kettle's Yard

Sebastiano Barassi

 

 

Barrie Cook

Alex Wade

 

Awake! Albion Awake!

Peter Woodcock

Glasgow, Julian Schnabel and 25 years of Transmission Gallery

Rupert White

 

The Unknown Guest

Paul Newman

The Landscape

George Bataille (translated for the first time into English by Patrick ffrench)

This Weekend? A personal response to two events

Joanna Thomas

 

Occult Surrealist: Ithell Colquhoun and automatism

Richard Shillitoe

 

Art in aspic: rural artists breaking free from the mould

Alex Murdin

 

A note on reverie

Michael Bird

The Future Ain’t What It Used To Be…

 Stephanie Wessell

 

Supernature: a response

Patrick Brandon

Sir Joshua Reynolds: The Acquisition of Genius

Sam Smiles

Too Many Objects, Not Enough Radical Nature

Chris Fremantle

The art of collaborating: from Michelangelo to Warhol and beyond

Rupert White

Anthony Gormley's Fields

Emma Duester

Voyage

Joseph Clark

Matthew Lanyon: New Paintings

Alex Wade

 

The Launching of the Pier Arts Centre

Margaret Gardiner

 

Banksy versus Bristol Museum

Nigel Ayers

Venice Biennale 2009 Part 1: The Giardini

Rupert White

Venice Biennale 2009 Part 2: The Arsenale

Rupert White

Venice Biennale 2009 Part 3: Martin Boyce, Susan MacWilliam and Kennedy Browne

Rupert White

Travelling Light

Peter Freeman

 

Oasis

Cathy Watkins

Rare Sighting in the Haldon Hills

J. C. C. Mays on Colin Sackett

 

No more heroes: a response to 'Lets Play Records'

Rupert White

Lawrence Weiner: biography and resources

Various authors

Distributed art of invisible networks: notes on network politics

Magda Tyzlik-Carver

 

Haste Slowly

Peta-Jane Field on Trevor Bell

 

 

Altermodernism: helpful or harmful?

Rupert White

 

Silent Harmonies: The Art of Jeremy Annear

Jane Hamilton

 

Situation

Roger Coleman

 

'The New Landscape': from a point of view on the work to a being in it?

Harriet Hawkins

 

Remembering Gwyther Irwin

Nick Wadley

 

Westcountry Carnivals and Folk Traditions

Various authors

The Lure of the Local

Lucy Lippard

Westcott's Gallery, St Ives

Rupert White

Luke Frost and the Tate St Ives residency

 

Alex Wade

 

Prima Vista – Black, Red And White 12 July 2005

Clare Wardman

Opening the window, the white bird flies in

Kate Walters

Contextually sited contemporary practice in rural areas

Veronica Vickery

On Arnolfini, artists' books and buy nothing day

Nigel Ayers

 

Revolver Book-launch

Volker Stox, Jesse Leroy Smith, Alan Livingston

An artist’s response to Elisabeth Frink

Fiona Robinson

 

Putting 'Revolver' in its place: a new eclecticism

Rupert White
 

A boundless manifesto comes to Tate St Ives

Peta-Jane Field on Heimo Zobernig

 

New art-spaces in Bristol

Laura Mansfield

 

The Captains Cottage Triptych: Dwelling and Loss

Rebecca Weeks

Dominant Wave Theory: The Work

Chris Short on Andy Hughes' photographs

 

 

Dark Ecologies: Reflections on Paul Chaney at Goldfish

 

Robin Mackay

 

MA Fine Art: Contemporary Practice 2008

Nigel Ayers

 

David Falconer & twelve years of the New Millennium Gallery

Peta-Jane Field

 

Nature Morte

Robin Mackay

 

Ralph Freeman: Porthmeor Jazz

Alex Wade

Contemporary Drawing Practice and The Drawing Show

Kate MacFarlane

The Pack 1969 - 2008

Rupert White

 

Creative Cornwall

Nicolas Serota

 

The Transformed Total: Margaret Mellis’s Constructions

Michael Bird
  Alfred Wallis and after: naive and outsider art in Cornwall

Rupert White

Dawn of a Colony

 

David Tovey

 

 

 

Starry Nights and Endless Miseries

Paul Newman

 

Richard Ballinger at Cornwall Contemporary

Jesse Leroy Smith

Two writers' responses to LAF 2008 pt2

Alexandra Glanville & Mark Greenwood

Two writers' responses to LAF 2008 pt1

Mo Bottomley & Megan Wakefield

The Museum of Witchcraft: a short history

 

Graham King

 

The Genuine Article

Alex Wade on Tim Shaw

The St Ives School of Painting: a brief history and personal view

Roy Ray

 

Bullans Court: the home and studio of Sandra Blow in St Ives

Jonathan Grimble

. Relational aesthetics in Cornwall: a reflection on 'Transition: Curators edition'

Rupert White

The new Leach Pottery pt 1 and 2

 Simon Leach and Rupert White

 

Abolition of Work

Cornford and Cross

 

Tales of the Unexpected

Megan Wakefield

 

Cornwall: New Voices

Kate Jago

 

 

'Transition' Archive

Blair Todd and Steven Tanner